The Last Guardian opens on the Guardian Plateau, where young Guardians and Valkyries train to fly and fight side by side under Queen Namiele, and where a quiet boy named De'Onte masters everything far too fast and shows almost none of it. Artoria, the Valkyrie queen's daughter, can't stop watching him. Far above them, in an obsidian war chamber, Queen Seraphyne's generals have tracked the Guardians for millennia and decided the peace between the two peoples was never agreement — only mercy. Seraphyne orders the first Guardian outpost burned from the sky and warns her daughter she will soon have to choose between what she feels and what she owes. Then an entire galaxy is erased with no warning and no survivors, and Namiele answers the only way she can: she goes out alone into dead space and spends her own life restoring what was taken, coming apart into light as the stars reignite behind her. Her son D'Ante inherits a crown and a kingdom missing its strongest defender, De'Onte is left holding the truth she told him about what he carries, and across the cliffs Seraphyne feels the balance tip and declares the age of equals over.

Winnie is an Ursa war veteran — a small, scarred bear with retractable claws and a private rule against killing anything that can't fight back. Shot down on his way home from the Ursa Wars, he's dragged aboard the 100 Acre, an Archon warship where captives are caged in a vast black tree above a fighting pit and their terror is harvested as Loosh, the smoke the Archon lords vape from hookahs. Winnie wins his first bout and then refuses the kill, and the fear-smoke thins across the whole arena — a bear who won't kill feeds nobody. Crippled by the giant Humbaba and saved from execution by Piglet, the leader's smallest son, he's exiled instead to Earth, the prison planet, to wallow for years and be farmed slowly. But Earth is green and full of honey, and when he eats the forest empty, hunger walks him into a city under the Archon ship's shadow, into a boxing ring, and toward the cat-woman prizefighter who teaches him how to hit back. What follows is a friend found inside a spy drone, a brother traded for a broadcast death match, and one bear who beats the biggest Archon alive and then offers him a paw up — on live feed, to every world watching.

When a ten-year-old boy is found dead in the woods outside Lackluster Cove with a laminated placard on his chest — "I once was lost, but now am found" — Riverside detective Brock "Rock" Manor swears to the boy's grieving mother that he will find who did it. He doesn't know she is standing beside him. Penny James lost her son to a drunk driver who served three years and her husband to a lawyer who let him hang, and she has spent the years since building a new name over a childhood of abuse, working her way down a list and leaving a line of the hymn on every body. As Brock chases a killer who signs herself Amazing Grace, the woman he's promised to protect is riding in his car, praying with his wife, and closing in on the only thing he has left.

Eclipsed Fate is a high-fantasy tragedy about Kairo Duskbane, a prince born with green fire that heals but has never taken a life. Raised adored by King Renjiro, Queen Ayame and his older siblings David and Lyra, Kairo is six when a barefoot prophet interrupts the Festival of Light to promise that his kingdom and family will fall in six years. The kingdom braces, the prophecy folds quietly into the boy's childhood, and on the last morning he wakes without a nightmare — hours before darkness reaches the gate of Everlight. What survives the fire is one child, a book of names, and a vow that his fire will never learn to kill.

Junior is a workplace comedy set inside Everything Viral, a company that builds miracle products designed to create the very problem they claim to solve. Mr. Allbutfun, its openly horrible owner, has commissioned a humanoid clone of himself — Junior — to inherit his mind and his company when his body gives out. But the boss is too busy to raise him, so the job of teaching Junior how to be human falls to his assistant Liza and the two content creators of Gravy Train, Guy and Denny. What Junior learns from them is not what anyone intended: an innocent machine, taking every lesson at face value, absorbs adult dishonesty as gospel and starts applying it with a huge smile and no filter at all. Each lesson leaves someone staring at him, speechless — and Junior more convinced than ever that he is getting the hang of being human.

A narrator-driven retelling of the Exodus, told at domestic scale — beginning under the lash of Egypt and the birth of one hidden child. Pharaoh, watching the Hebrews multiply faster than his garrisons, moves to break them from the inside: first ordering the midwives to kill newborn sons, then, when they quietly defy him, decreeing that every Hebrew boy be cast into the Nile. Against that, ordinary people hold the line — two midwives who choose life, an elder who counsels survival over a doomed fight, and Amram and Jochebed, who bring a son into a world that wants him dead. It ends where the deliverer's story begins: a perfect baby, born in lamplight, and a family that was never there.

The Wulfric Legacy: Blood and Fury opens in the European hill country in 1702, where ten-year-old Josh Wulfric beats his father Scott in a practice bout and opens his arm with a broken sword. Convinced his son will one day turn into something no man can command, Scott takes a silver-tipped whip to the boy in the middle of the training field — three strokes that his wife Jennifer, running through the forest, arrives too late to stop. Silver does not cut and close; it travels inward toward the heart, and Jennifer burns her own hand to the bone holding it back through a long night at the cabin table. Josh wakes healed, refuses his sister Tonya's help, and walks out into the snow before dawn. Six years feral in the winter woods sharpen everything in him — the hearing, the speed, the gold that floods his eyes when he is pushed — while Tonya, left behind in the herb garden, discovers her own hands bring dead things back green. Driven out of a village square by a hunter with a white blade, Josh crosses the water to Ireland, hunting anyone who can tell him what his blood is. In a storm-lashed tavern he finds Maeve, a swordswoman who recognises the three silver scars on his chest, and leads him to a ring of standing stones where the Fae speak his name and tell him only those who walk between can stand in the way of what is coming.

Takeshi: Kemono No Michi follows Takeshi Yamanaka, a twenty-five-year-old with no family who volunteers for a state experiment because the only other option is starving. The injection turns him into a manticore — wings, claws, and a body that stops answering to him — and the scientist who did it smuggles him out of the city with a handful of antidote vials and a warning: if anyone learns he survived, they will never stop hunting him. Robbed of the vials within hours, Takeshi finds a forest full of others like him and shelter in a hidden village where one slip would expose them all. A dark sci-fi creature story about a man fighting to stay human while the thing inside him keeps taking ground.

Beautiful Karma follows CJ, a nineteen-year-old orphan who digs the king's fields until his shovel turns up a rusted box holding a pendant on a chain. That same evening he hides a hunted fairy named Ariana from Princess Celine, and the chain answers her killing blast by throwing it back at her — a commoner beating a royal in the open street. Exiled from the capital, CJ sets out south for the goddess Selena, crosses the Deadly Forest, and finds a case holding two swords: a white blade that comes willingly and a black one that refuses him. Hunted across the outer cities by the king's winged co-captains Camila and Justin, and bound to Ariana by a soul bond that heals him as fast as he breaks, CJ learns the swords carry the life-force of two dead prodigies — and that they chose him because he is their son. Celine, meanwhile, discovers her father is caging fairies to keep a war from reigniting, and that the fugitive she has been ordered to kill is the boy she has fallen in love with. When CJ finally reaches the throne room, the man who buried his parents recognizes the stance before he recognizes the face.

Hakkai is set five years after the sky tore open and power stopped belonging to kings — now it can wake up in anybody. Jax Bugsye and his brothers Remy and Vex fight their way into an underground arena tournament called the Black Book War, chasing prize money that is the last wall between corporate crews and Deuce Row, the street that raised them. Jax is drawn against Renzai Akoro, the greatest weapon alive, and loses in front of a crowd that laughed before the fight even started — but something in him shows through, and the wrong people are watching. Above the cage, the most trusted man in the world reveals he owns the killing pit and has been testing every fighter in it for a war nobody is ready for. A street-level action series about three brothers, a missing fourth, and a tournament that was never really a tournament.

Between 1968 and 1985, sixteen people were murdered in eight double homicides in the hills around Florence, and Italian authorities never conclusively identified the killer. The series follows the case as the investigators lived it: a 1968 shooting in Signa written off as a jealous husband's crime, a six-year silence, and then the slow, forensic realization that the same .22 caliber Beretta — firing pre-1968 Winchester Series H rounds through a defective firing pin — kept returning to the same unlit rural roads. Suspects are arrested and cleared while the killings continue, victims are found in parked cars along dirt lanes, and each new scene adds another piece to a puzzle that points to a phantom nobody can name. Narrated in cold, documented detail, the show stays with what the record actually holds — casings, autopsy reports, dispatch logs, and the geography of the Tuscan countryside.

When Mara Castillo agrees to play the role of a billionaire's wife to comfort a dying patriarch, she thinks it is just a simple favor. But her act quickly catches the suspicious eye of Lucas Voss, the ruthless CEO determined to uncover her secrets. As lies and hidden pasts begin to unravel, Mara finds herself trapped in a dangerous game where the truth could cost her everything.

Between December 1884 and December 1885, eight people were murdered in Austin, Texas — most of them Black women who worked as cooks and domestic servants, killed at night inside the small detached quarters behind the houses they served. The developing state capital was a city of wooden homes and unpaved avenues barely reached by gaslight, and constables patrolled with hand lanterns while an unidentified man moved through the deep residential yards. The killer arrived empty-handed and used the households’ own tools — axes first, later a sharp steel spike — leaving them behind at the scenes. As the attacks moved from adult servants to an eleven-year-old girl, the victim profile the police relied on collapsed. Narrated from the documented record, the series follows the murders, the disputed dates, and the investigation that never produced a name.

The Miraculous Journey of Dr. Dean is a based-on-true-events medical drama set in a Brooklyn trauma hospital in 1987, at the height of the crack epidemic. Dean is a senior surgical resident three years into a program he never wanted — arrogant, exhausted, pocketing crack vials off his own patients, and convinced he was meant for Boston instead of a war-zone ER in East New York. As he fights to save people the system keeps parking in hallways, he collides with a chief resident who won't get out of bed, a chairman who punishes him for being right, and a father, himself a revered surgeon, who tells him he isn't cut out for any of it. His romance with Sarah, a sharp Indian-American medical student, gives him something to hold onto — until his family's expectations and his own self-sabotage start pulling it apart. Every save buys him another night, and every night costs him something he can't get back.

In the Town of Nowhere, filled with monsters and curses, Bob fears one being above all others: Thirteen, a mysterious girl who never ages and possesses terrifying supernatural powers. When Bob warns others about her, Thirteen suddenly appears and confronts him. But everything changes when she notices Doom, Bob’s frightened young nephew. Intrigued by the boy, Thirteen says she wants to know him better, marking the beginning of a mysterious and potentially dangerous connection.

In 2002 Mexico City, an elderly woman is found dead behind locked doors with no sign of forced entry. As detectives obsessively hunt a male suspect, their fatal blind spot allows a ruthless predator to strike again and again. Discover the chilling truth behind the search for the capital's most elusive serial killer.

Under the tyrannical rule of King Robert, unseen forces plague the realm and mere suspicion is punishable by death. Queen Tara must navigate the blood-soaked corridors of power while concealing her own defiance. In a court where mercy is treason, survival demands the ultimate sacrifice.

Between 1918 and 1919, an unidentified man moved through the humid nights of New Orleans and attacked Italian-American grocers asleep in the rooms behind their own storefronts. His method never varied: he knelt in the back alley, chiseled the lower panel out of a thin wooden door, crawled through the gap, and took his weapon from the victims' own property — a hatchet from a courtyard bench, an axe from a chopping block — leaving the blade behind on the floor. Joseph and Catherine Maggio were the first, and by March 1919 the attacks had reached the Cortimiglia family in Gretna, where infant Mary was killed and two innocent neighbors were convicted on testimony later recanted. Days after that funeral, a letter arrived at the Times-Picayune from a writer claiming to be the killer, promising to spare any household playing jazz. Narrated from the documented record, the series follows the entries, the borrowed weapons, and a case that ended without a name.

In Atraxia, a social platform called THREAD has been running for twenty-two years and has never deleted anything. Zeo Vance and the small crew who work out of a basement called The Blindspot discover that THREAD is the continuation of ATLAS LOG — a Directorate surveillance program officially cancelled in 2003, built to keep a complete life diary on every citizen from birth to death. A dying archivist named Sol Dray hands Zeo the proof and asks for two things before he goes: publish it, and destroy what's already stored. The data sits in SILO, two levels under the city, behind an air-gapped node that has to be physically touched — and the key to reach it is held by a senior architect the Directorate declared dead nine years ago. Zeo's father. As the crew plans a way in, Sera Novak of Directorate Field Operations is handed orders that stop at resolution rather than containment.

Home, Sweet and Wise Home follows Pepo, a fat and whiny louse who has lived on a thousand heads and liked none. When Fatima's mom remembers the lice remover, Pepo escapes from his head, hides in a pencil case, and ends up traveling to a fourth-grade classroom. There, he evaluates heads like searching for an apartment, until an eraser sends him flying and he gets trapped between the pages of a huge dictionary. Locked in darkness, he discovers that printed words become real things: a candle that lights up, food on the blood page, a bed, an elevator, an entire mansion. The louse who never liked any neighbor just needs one more word to have it all. By María Laura Velarde