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An action drama following the Elementals, a team of gene-powered fighters, in the aftermath of a war that won't stay won. At its center is Kai, whose fire-wielding strength is bound to a possession mark that grows stronger the more he feels — a brand creeping toward critical instability with every fight. Issue 11 opens on a hard-won victory over Cael's Coven that immediately curdles: the enemy doesn't die, they 'readjust,' and the world the team saved turns on them, rebranding their win as proof they're out of control. Each episode is a tight beat of the same sinking realization — that the battle is over, and the harder war, over fear and truth, is only beginning.

Tangerine High, directed by SpookyDookieStudios is an adult animated tv show that follows the lives of four high school freshman boys in Tangerine, a suburb in Florida. The series has a satirical take on society and takes on taboo subjects that the boys face during their adventures and everyday lives.

Thirty-three young men. One trapdoor. Eight of them still unidentified. John Wayne Gacy: The Killer Clown traces the most chilling double life in American criminal history — a successful contractor, a twice-married father, a Democratic Party precinct captain, a volunteer clown at children's hospitals, and a man who buried thirty-three boys beneath the floorboards of his suburban Chicago home while his neighbours wondered about the smell. Told entirely through narration across twenty episodes, this micro-drama series follows Gacy from his violent Chicago childhood and a father who called him soft, through a Las Vegas mortuary, an Iowa sodomy conviction, eighteen months of a ten-year sentence, and the quiet ranch house at 8213 West Summerdale Avenue where everything was buried — literally and otherwise. Unlike the transient, rootless killers in this series, Gacy killed from inside the community that trusted him most. He was photographed with the First Lady. He gave birthday parties for neighbourhood children. He painted his own face white, drew the corners of his mouth into sharp points, and performed magic tricks with real police handcuffs. He was caught not by forensic science or profiling, but by a fifteen-year-old boy's mother who refused to let the police stop looking — and a detective who used a bathroom at the wrong moment.

In the Town of Nowhere, filled with monsters and curses, Bob fears one being above all others: Thirteen, a mysterious girl who never ages and possesses terrifying supernatural powers. When Bob warns others about her, Thirteen suddenly appears and confronts him. But everything changes when she notices Doom, Bob’s frightened young nephew. Intrigued by the boy, Thirteen says she wants to know him better, marking the beginning of a mysterious and potentially dangerous connection.

Five women. Eleven weeks. Half a square mile. No arrest. No trial. No name. Jack the Ripper: The First Serial Killer of the Modern Era traces the case that invented serial murder as a modern concept — a nameless killer who operated inside a seventy-seven-day window in the autumn of 1888, butchering five prostitutes in the gaslit back yards and cobblestone courts of Whitechapel, removing their organs in the dark with a precision that divided Scotland Yard's own surgeons, and vanishing into the most densely surveilled half-mile in British policing history without leaving a fingerprint, a footprint, or a drop of his own blood. Told entirely through narration across twenty episodes, this micro-drama series follows the case from both sides of the gas lamp — through the streets where 76,000 people slept in beds rented by the hour, through the methodical brutality that escalated from thirty-nine stab wounds on a tenement landing to a two-hour disembowelment behind a locked door, and through the investigation led by Inspector Frederick Abberline, a man who knew every rookery and doss-house keeper by name and still could not catch what was walking past him in the fog. Unlike every other killer in this series, Jack the Ripper was never identified, never charged, and never stopped by police work. He wrote two letters that gave the case its name and the press its greatest circulation spike since the Crimean War. He mailed half a human kidney to the president of a citizen patrol. He left a single chalk sentence on a tenement wall — and the Commissioner of Police personally ordered it erased before dawn. He was caught by no one. The case files were sealed for ninety-nine years. Over a hundred suspects have been named across a century of investigation. He has been a barrister, a barber, a royal duke, a Polish hairdresser, an American quack, and Lewis Carroll. He has never been a man with proof beside his name.

A narrator-driven true-crime biography of Edmund Emil Kemper III — the 6'9", 145-IQ 'Co-Ed Killer' who murdered ten people in 1960s and '70s California, beginning with his grandparents at fifteen and ending with his own mother. Told in chronological order, the series traces his life from a childhood locked in a basement, through five years inside a psychiatric prison that taught him how not to get caught, into a methodical spree against young female hitchhikers around Santa Cruz — all while he drank with the very police hunting him. It builds to the matricide that was the destination all along, his unprompted phone-booth confession, and a death-row afterlife in which he helped the FBI invent modern criminal profiling. Each episode is a self-contained micro-drama with a hook, a body, and a cliffhanger that pulls the viewer into the next.

A dialogue-driven new-adult drama about Kara, a gifted final-year painting student who guards her ambition like a wound, and the off-limits attraction that threatens to upend it. Kara's friendship with the charming, careless Leo is the one easy thing in her life — until she finds herself quietly fixated on his unsmiling older brother, Shane. When Shane turns out to be both her new art-history professor and the man Mrs. Anderson has chosen to take over her thesis, the man Kara can't stop thinking about becomes the man who decides whether she graduates. Each episode is a tightly wound micro-scene of tension, near-misses, and unspoken want, building toward the question of what she's willing to risk with the one person she shouldn't.

SA narrator-driven psychological drama. Shawn, a fifteen-year-old boy, wakes in a mysterious residential facility for young people with mental health differences — his past wiped soft, his parents just out of reach beyond the manicured grounds. The facility's director means to "correct" their weaknesses so they can function in normal society, but the girl Shawn falls for believes people should embrace their differences instead of being fixed. Beneath the green lawns and the endless books, one question keeps growing: whether this place is genuinely helping these kids, or quietly erasing who they are.

A mining outpost in the furthest corner of human ambition. A forbidden mineral. A religion built on productivity. And a universe becoming aware of itself.

Gary Leon Ridgway's birth in Salt Lake City in 1949, his family's move to the working-class SeaTac suburb of McMicken Heights when he was nine, and the early shaping forces — a domineering mother who publicly humiliated him over chronic bedwetting, an IQ tested at 82, and a quiet outward personality that masked unusual sexual and emotional confusion. Closes on the family geography that would never change. Ridgway would live within fifteen miles of this house for the rest of his life.

Two adventuring buffoons stumble across an affliction that warps the creatures and landscape alike. Will they discover the source of this fractured leak?

A narrator-driven true-crime biography of Theodore Robert Bundy — the law student, volunteer, and boyfriend who murdered at least thirty young women across seven states in the 1970s. Told in chronological order, the series traces his life from a childhood built on a family lie, through the college heartbreak that fixed his lethal 'type,' into a five-year killing spree, two daring prison escapes, the Florida sorority massacre, his televised trials, and his execution in the electric chair. Each episode is a self-contained micro-drama with a hook, a body, and a cliffhanger that pulls the viewer into the next, building toward the question that outlived him: how many were there, and how many are still nameless

A gripping look into the life and crimes of Jeffrey Dahmer — and the system that failed to stop him. Across ten episodes, the series reveals how his actions went unnoticed for years, while centering the stories of the seventeen victims whose lives were tragically ignored.

A quiet man in a quiet town killed ten people over thirty-one years — and nobody around him ever suspected a thing. BTK: Bind. Torture. Kill. traces the double life of Dennis Rader, a Kansas husband, father, Cub Scout leader, church council president, and compliance officer who secretly stalked, bound, and murdered his neighbours while installing their home alarm systems for a living. Told entirely through narration across twenty episodes, this micro-drama series follows Rader from his disturbed childhood fantasies through his methodical first kills, his decades of hiding in plain sight, his fatal need for public recognition, and the two words buried in a floppy disk's metadata that ended everything. No dramatised dialogue. No sensationalism. Just the facts of how an ordinary-looking man became one of the most chilling serial killers in American history — and how his own ego delivered him to justice.

In a world where every race has a measurable limit to its power, a young black dragon with no known ceiling emerges from eleven years of isolation and enters civilization for the first time. Possessing strength great enough to alter the balance of the world, Ray seeks not conquest, but something far more human: a family. As kingdoms, guilds, and races grapple with the implications of his limitless growth, Ray joins a group of adventurers who become the first people to see him not as a calamity, but as a boy longing to belong. Yet his very existence sparks fear among those who believe humanity must transcend its natural limitations or risk becoming obsolete. Combining epic fantasy, emotional found-family storytelling, and political intrigue, A Dragon’s Odyssey explores the question: What happens when the strongest being alive chooses compassion over domination?

A group of muppet rats satirize modern (well, not so modern) working life.